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Filatura di Musica - Known and unknown canzonas The Pelplin tablature Adam Jarzębski
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Description
- Cesare Borgo - Canzon La Castelnovata [Canzona à 4 nr 2]
- Cesare Borgo - Canzon L’Averolda [Canzona à 4 nr 15]
- Giovanni Valentini - Canzon à 4 [nr 80]
- Adam Jarzębski - Spandesa
- Adam Jarzębski - Susanna videns
- Anonim - Canzon à 4 [nr 91]
- Anonim - Canzon à 4 [nr 87]
- Anonim - Canzon à 4 [nr 85]
- Andrzej Rohaczewski - Canzon à 4
- Adam Jarzębski - Canzon prima [Canzona à 4 nr 58]
- Adam Jarzębski - Canzon seconda [Canzona à 4 nr 59]
- Adam Jarzębski - Canzon terza [Canzona à 4 nr 60]
- Thomas Morley - Fantasia à 4 [Canzona à 4 nr 74]
- Anonim - Canzon à 4 [nr 84]
- Tarquinio Merula - Canzon La Marcha [Canzona à 4 nr 67]
- Adam Jarzębski – Norimberga
- Anonim - Canzon à 4 [nr 89]
- Adam Jarzębski - Concerto primo
- Tarquinio Merula - Canzon La Lusignuola [Canzona à 4 nr 62]
Filatura di Musica:
Marek Nahajowski – recorders, artistic direction
Magdalena Pilch – recorders, transverse flute
Judyta Tupczyńska – violin
Patrycja Domagalska-Kałuża – chest organ
Justyna Młynarczyk – viola da gamba
Piotr Młynarczyk – viola da gamba
The first half of the 17 th century could be described as the peak of music culture development in the Polish-Lithuanian Commonwealth. The multinational state, ruled by the House of Vasa kings (related to the Jagiellonian dynasty on the distaff side), covered an enormous territory – from Greater Poland, Pomerania and Prussia up to Livonia, Ruthenia and Podolia. The album "Known and unknown canzones - Pelplin tablature - Adam Jarzębski" (RecArt 0033) is a pioneering phonographically attempt to show this diversity in a conscious way, both musicologically and in terms of performance.
wydawca: Recart Records 2019
nr kat.: RecArt0033
format: CD, jewel case
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